I’ve been in Melbourne for the weekend with very little photography happening, but visited the 1140 gallery in Malvern which turns out to be the only gallery in Melbourne permanently exhibiting photography and is just just 500 metres up the road from my daughter Katie’s apartment! Some great fine art work by various artists I hadn’t heard of, all huge prints and priced from $3,000 to $10,000. They are working with Robert Besanko, who is in his 80’s and apparently famous, but I hadn’t heard of him, to release his work as limited edition prints and to stage an exhibition at the Sydney MCA in the next 2 years. So watch out for it, stunning work, follow the link.
I took some good waterfall images on the way to Melbourne, but they will require a bit of fine tuning before I show them here. Also played around with vertical panning of the camera on some trees which is really not so hard, about 1/8 th second exposure, the difficult part is panning smoothly. Guesswork required to know when to press the short, but just keep trying until you get something you like. I almost convinced Katie to put it on her wall as abstract art.
It looks really effective when split toned:
Vertical panning split toned
She even liked this one of some dramatic clouds.
Inverted split toned clouds
I had been seeking a ‘look’ to set my images apart from everyone else’s and when the wind came up and the clouds rolled in the streaky cloud idea sprang to mind, ie using a long exposure to blur the motion of clouds; giving a strong, in my view, aesthetic feel to the image. I hadn’t tried this before and the questions I had were:
- what exposure times would be required
- could this be achieved in daylight
The 2 sea stacks form a perfect foreground for this and the high wind and scattered clouds make for good conditions to try it out.
First, a daylight attempt.
Even with an ND400 filter (about 9 stops reduction) the longest exposure that could be achieved was 30 secs. This was not enough to show the effect, so this image was created from 10 successive 30 sec exposures which were then merged in Photoshop using the image stack mode. The unavoidable 3-5 second gap between shots gives a jerky look to the image. It doesn’t work for me.
Sunset attempt. The sun had just set. With the ND400 filter I found I needed a 4min exposure to blur the clouds well (f22, ISO50, ND400, 24mm); below this and they were still apparent as clouds. This time will vary with the relative speed of the cloud motion which will depend on wind speed, focal length and distance of the cloud from the camera. This works well for me.
My goal in the next image was to have the clouds appear to originate from a point in the image which supports the composition. The wind was a westerly and when looking along the beach towards the sunset and the distant cliff top this direction lined up with the natural ‘centre’ of this composition. The sun had well and truly set and the ND400 filter was not needed. Again a 4 min exposure (f8, ISO200, 17mm). Note that the clouds close to the ‘origin’ at the bottom of the image haven’t had as much apparent movement as those further away; this is exaggerated by the wide angle lens (17mm). I really like this image, if only I could get the colour effects as the previous image.
So, a new skill for my artistic repertoire and not difficult technically, but you need to think about a few things:
– which way are the clouds moving and how will this support the composition
– exposing for the clouds and looking into the sunset will put almost everything else in the image in silhouette so you may need to take some higher exposure shots to allow the detail to be filled in later
– a stable tripod is critical
– the light changes extremely quickly at this time of the day, learn how many stops your ND filter is and take shorter exposures without it on to gauge the exposure time.
– even at low ISO there is noise at 4 mins. Next time I will try the noise reduction mode of the camera
BTW if you are wondering how much salt mist is in the air and whether it is encrusting the front of your lens during the 4 min exposure, just turn your torch on in the dark. If you can’t see more than a few metres in front of you then start to worry. I did. Wipe you lens regularly!
Same place, different wave.
Some monochrome images to emphasise the shapes and textures of the two ‘stacks’.
I tried to balance the two stacks with the cloud, perhaps the foreground reflections are too much?
And the drama of the waves.
Within a few hundred metres of this amazing coastline there are rolling hills of sheep and cattle farms.